In relation to your article of the 11th December 2007 by Britt Smith in the Geelong Advertiser

http://www.geelongadvertiser.com.au/article/2007/12/11/9599_news.html

here are some well known facts you should also present to the larger Australian community.
Before publishing comments in your paper, a well informed journalist will check all the facts and report accordingly.
Not reporting one sided biased commnets that do not cover the whole story. I would stress that your journalists comments be reviwed and correct factual matter be published in your paper.

 

The article published by you is clearly biased and only portrays one side of events. There were many nations who were aliened with Germany during the Second World War, not just Croatia. Australians forgave the Japanese and are now major trading partners, however when it comes to Croatia and its alliance during the same war, it is repeatedly dragged up. This region has been very volatile for many years, we now have our own recognized country, that is democratic and no longer a fascist or communist country. People in Australia have a right to have Croatian singers come and perform, as we do not criticize any of the other nations for bringing their singers here . Like the Italians, Germans, Japanese, and many others. Thompson does not sing Nazi related songs or spread violence, he only sings about love god and his nation and he is a popular singer with world recognition. Below is a link to English translations of his songs.

 

http://www.lijepanasadomovinahrvatska.com/text07/bilo_jednom_u_hrvatskoj.pdf

 
Kindest Regards
Ivica Fonti
 

THE COLLABORATION OF D.MIHAILOVIC’S CHETNIKS WITH THE ENEMY FORCES OF OCCUPATION

(1941-1944)

Title in Serbo-Croatian: TAJNA I JAVNA SARADNJA CETNIKA I OKUPATORA
1941-1944.

Selected and annotated by

Professor Dr. Jovan MARJANOVIC

Faculty of Humanities
Belgrade University
Serbia

With the collaboration of Mihailo STANISIC M. A.

Published by: Arhivski pregled, Beograd,
Karnedžijeva 2

Printed by: Servis Saveza udruženja pravnika Jugoslavije,
Beograd, Proleterskih brigada 74.

Page

60. German Pass for Chetnik Officer_ _ _ _ _ _ _ _ _ 130
61. Letter from Major S. Vranješevic to D. Mihailovic
on Indispensability of Collaboration_ _ _ _ _ _ _ 131
62. Allied Intelligence Bulletin on Chetnik Collaboration
with the Enemy_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 133
63. German-Chetnik Talks in Eastern Serbia_ _ _ _ _ 135
64. Report of General Felber Military Governor of Serbia
on His Talks with Chetnik Commander Neško Nedic_ _ 137
65. D. Mihailovic Secures Food for the Reich_ _ _ _ _ _ 139
66. US Intelligence Report on Collaboration of Deligrad
Chetnik Corps woth the Enemy_ _ _ _ _ _ _ _ _ _ _ _ _ 141
67. Chetnik-German Talks in Topola_ _ _ _ _ _ _ _ _ 142
68. Chetnik Usefulness according to Evaluation of
German Command Southeast_ _ _ _ _ _ _ _ _ _ 145
69. German-Chetnik Collaboration in East Serbia_ _ _ 148
70. Germans Supply Bacovic and Lukacevic_ _ _ _ _ 149
71. Allied Report on Chetnik Collaboration_ _ _ _ _ _ _ _ 150
72. Royal Chetnik Guard Requests Germans for
Ammunition_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 153

Crimes of Chetnik-fascist army during WWII

1

A photo for a friendhsip remeberance
Serb Chetniks with German nazi officers (Winter 1942)
Photo:Arhiv Srbije,Beograd,Yugoslavia.

1

Serbian postage stamps of 1941.
Belgrade was the first city in
Europe to be declared Judenfrei;
Free of the jews. The Serbian insignia,
still used today, appears in the
upper corner of each stamp.

1

A group of Chetniks pose with German soldiers in an unidentified village in Serbia. Photo:Arhiv Srbije,Beograd,Yugoslavia.

Crimes of Chetnik-fascist army during WWII

1

An Italian officer in company with Mihailovic's Chetniks
Photo:Arhiv Srbije,Beograd,Yugoslavia.

"The Serbian chetniks of Draza Mihailovic were represented as fighters against the occupier, while in fact they were the allies of the Nazi fascists in Yugoslavia....The documents in this collection indicate clearly and unequivocally that the Chetniks collaborated with the occupiers, both in the military and political sphere, as well as in the domain of economic activity, intelligence and propaganda... (source: the Serbian scholars, Dr. Jovan Marjanovic & Mihail Stanisic, The collaboration of Draza Mihailovic's Chetniks with the enemy forces of occupation, 1976.)

FOREWORD
After spending several years studying and doing research on archive materials pertaining to the Chetnik movement of Draža Milhailovic I deemed it expedient to place a part of these documents and persons similarly engaged in the study of history and related subjects. Publication was indispensable for several reasons: For a long time General Draža Milhailovic remained the greatest mystification within the anti-Hitlerite condition. The Chetniks of D. Milhailovic were represented as fighters against the occupiers, while in actual fact they were allies of the Nazi-fascists in Yugoslavia where a nationwide people’s armed rising under Tito’s leadership had began as early as in July 1941; abundant archive materials of foreign provenience, primarily German, British, American and Italian, hitherto unknown to the public, have become accessible during the past three decades. These documents have made it possible to remove the veil of mystification that enshrouded the genuine role of D. Milhailovic’s Chetniks for so long. A large number of western historians and publicists are still writing very maliciously and untruthfully about the Chetniks of D. Milhailovic, concealing the very existence of the relevant archive materials which are available precisely and exclusively in western archives. At the same time certain emigrant Chetnik leaders, such as Ž. Topalovic, D. Jevdjevic, M. Žujovic, M. Djuic, Zv. Vuckovic and others have published memories and other works in the allied countries and in which they seek to conceal or justify Chetnik collaboration with the enemy invaders.

This thematic collaboration of documents is a result of research done in Belgrade, Washington. London, Bonn, Koblenz and Freiburg( am Breisgau). The superabundance of materials on Chetnik collaboration with the enemy actually constituted the greatest difficulty, in view of the fact that the publication of these materials alone would require several thick volumes. I therefore strove to select a very limited number of characteristic documents for this collection. Owing to considerations of space it was necessary to publish some documents in abridged form (i.e. as excerpts). One of the main criteria was to select hitherto unpublished documents, so that the vast majority of materials in this collection are appearing for the first time in print. Only a few exceptions have been made in the interest of overall thematic and chronological unity.

The collection covers documents from the war years 1941-1944. The documents from 1945 have not been included here, because by that time the Chetnik units of D. Mihailovic had become wholly incorporated in the German front in Yugoslavia. At that juncture the Chetniks were equipped and armed completely by the Germans and were fighting under German command.
The editor of this collection took care to include documents which refer to all regions in which D. Mihailovic Chetniks have been active. This indicates clearly enough that Chetnik collaboration was not limited to certain areas only, or was due to “arbitrary and undisciplined” action by the individual Chetnik commanders. It was a well pondered deliberate policy of the supreme Chetnik leadership including Draža Mihailovic himself. This policy of collaboration with the enemy was wholeheartedly endorsed and pursued by the other Chetnik leaders in Serbia, Montenegro, Bosnia, Herzegovina, Dalmatia, Lika, Slovenia and the Kosovo (as is known, the Chetnik movement was virtually non-existent in the larger part of Croatia in Macedonia and Vojvodina.)


The documents in this collection indicate clearly and unequivocally that the Chetniks collaborated with the occupiers, both in the military and political sphere, as well as in the domain of economic activity, intelligence and propaganda. Evidence of Chetnik collaboration in this collection is provided by German, Italian, British, American and Chetnik documents. Documents of Partisan origin, of which there are many, have not been included in this selection, lest any objections be made to the effect that the selection of documents indicates a certain bias.

The texts of the documents are accompanied only by indispensable explanations concerning the individual persons and events mentioned. Moreover, the contents of the documents render all comment superfluous.

The documents have been translated into English by Angela Vujovic.
Archive call numbers are cited for every document, except for the German and Italian ones which are published according to the microfilm edition of the National Archives in Washington (NAW).

This collection of documents has concurrently been published in Serbo-Croatian under the title: Tajna I javna saradnja Cetnika I okupatora (1941-1944) (Secret and Public Collaboration of Chetniks and Occupiers), Belgrade 1976.


I. VII 1976.




Professor Dr. Jovan MARJANOVIC
Faculty of Humanities
Belgrade University
Serbia

______________________________

http://sr.wikipedia.org/sr-el/%D0%88%D0%BE%D0%B2%D0%B0%D0%BD_%D0%9C%D0%B0%D1%80%D1%98%D0%B0%D0%BD%D0%BE%D0%B2%D0%B8%D1%9B

Jovan Marjanovic

dr Jovan Marjanovic-Joca, Istoricar (1920. - 1980.)

Biografija

Najbolji poznavalac partizanskog i cetnickog pokreta.

Roden je 1. aprila 1920. godine u Sanskom Mostu (Bosna i Hercegovina). Pre rata završioo Bogosloviju u Sarajevu i 1940. godine upisao se na teološki fakultet.

Godine 1941. do 1945 u Narodnooslobodilackoj vojsci nalazio se na dužnosti politickog komesara cete, bataljona i brigade. Po oslobodenju stalno je bio na partijsko-politickim dužnostima. Bio je clan Okružnog komiteta u Banja Luci (1945-1947), a zatim završio Višu partisku školu "Đuro Đakovic" u Beogradu. Radio je jedno vreme i u partiskoj školi CK SK BIH u kojoj je bio i upravnik do 1954

Od tada živi u Beogradu, gde je diplomirao istoriju na Filozofskom Fakultetu, a doktorirao 1961. na istom, na temu "Narodnooslobodilacki pokret u Srbiji 1941-1945".

Od 1963. stalni profesor Istorije XX. veka na Filozofskom Fakultetu, a od 1979. osnivac katedre za "Istoriju Jugoslavije 1918-1978", gde je radio kao predavac.

Zajedno sa dr Vasom Cubrilovicem bio je saradnik na Balkanološkom institutu.

Naprasno je umro 1980 . godine u Beogradu.

Radio je i kao uredivac i priredivac leksikona, enciklopedija i školskih udžbenika. Objavio je veliki broj knjiga i radova na temu Narodnooslobodilackog pokreta u Jugoslaviji 1941-1945.

Najznacajmije su:

  • Narodnooslobodilacki pokret u Srbiji 1941, Beograd, 1961.
  • Prilozi za istoriju sukoba NOP i Cetnika-Zbornik radova za Istoriju XX veka, Beograd, 1962.
  • Ustanak i NOB u Srbiji 1941-1945, Beograd, 1963.
  • Oslobodilacki rat i narodna revolucija, Beograd, 1964.

Politicke stranke i moderne države, Beograd, 1970.

  • Drugi svetski rat, Beograd, 1973.
  • Tajna i javna saradnja Cetnika sa okupatorom-Arhivska grada, Beograd, 1978.
  • Draža Mihailovic izmedu Britanaca i Nemaca, Beograd, 1979.


Odlikovan je:

  • Ordenom bratstva i jedinstva II reda
  • Ordenom zasluge za narod
  • Ordenom partizanske zvezde III reda
  • Ordenom za hrabrost
Reference:

Marjanovic, Jovan, Professor Dr. The Collaboration Of D.Mihailovic’s Chetniks With The Enemy
Forces Of Occupation.
Beograd: Arhivski pregled, 1976.
 
 
http://www.lijepanasadomovinahrvatska.com/text07/26_10_07_budimlic.htm

Who is Marko Perkovic "Thompson" ?
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Marko Perkovic Thompson



Marko Perkovic is Croatia's most prominent musician. He and his band go by the stage-name "Thompson." That was the nick-name given to him by his fellow soldiers during Croatia's 1991-1995 war of independence from Serbian-dominated communist Yugoslavia. The village he was born in, "Cavoglave," was on the front-lines of Serbian aggression during that turbulent period. He took part in the successful defense of his nation. The weapon he was issued was the American-made sub-machine gun, hence the nick-name Thompson. Marko Perkovic was quickly catapulted to fame by his patriotic song, "Cavoglave," dedicated to defenders from the village of his birth. The song inspired all Croatian defenders. It inspired Croatian civilians and Croatians all around the world at a very critical moment in the small nation's history. It was on that foundation that he built his career. And "Thompson" soon became a house-hold name.

What type of music does "Thompson" perform?

"Thompson" is a hard-rock/heavy-metal band. Many of the band's songs are comprised of ethno-elements, folk poetry and songs that have for centuries accompanied Croatian folk-dances. "Thompson" has also been known to perform and record pop-songs.

What does Marko Perkovic sing about?

Marko Perkovic and his band are certainly not one-dimensional. Earlier in his career, Perkovic recorded many love songs to accompany hits that were centered around Croatian social themes. Since his career took off during Croatia's fight for independence, many of his songs were about the liberation of Croatia. Croatia gained official international recognition in 1992. Croatia was officially and legitimately liberated in 1995. Contrary to negative propaganda and outright lies, Thompson’s songs inspired Croatians during the liberation of their homeland. Thompson also recorded songs depicting the plight of Croatian soldiers after the war. Stories about the experiences similar to those of Vietnam Vets in the United States after returning from war. With his more recent albums, Thompson has centered the themes of his songs on the natural scenic beauty of Croatia and three social values that the overwhelming majority of Croatians hold dear: God, family and the homeland. His music has never glorified war-criminals from the past or present. These accusations are simply preposterous.

God, Family and the Homeland

Thompson has on numerous occasions challenged anyone opposed to him or his music to prove their false claims and accusations. He has challenged all his critics to listen to his songs, obtain translations of his lyrics, and finally learn the truth about his music. Once again, the main themes of Thompson's songs are about God, family and the homeland. Many critics, purposely or not, misinterpret his music as political activism. Perhaps it because of the message his songs emit. Messages of faith in God, love of family and homeland. A far cry from a nationalist or extremist, Thompson is simply a patriot. Something he willingly admits. These are themes hardly worthy of controversy and the kind of negative publicity surrounding him and his band.

Thompson does NOT perform anthems that glorify war-criminals, concentration camps or genocide

The worst of all false accusations flung at Thompson is that he is the author of a song called: "Jasenovac & Gradiska Stara." Contrary to fallacious propaganda and claims, Thompson is not the author of this song. He does not, nor has he ever, performed it live. It cannot be found on any of Thompson's seven albums. We challenge all his critics and accusers to listen to all of his recorded work and learn the truth for themselves. Once again, we challenge all to obtain copies of his official albums; and kindly ask to refrain from viewing or listening to propagandistic montages constructed and posted on the Internet by anonymous Thompson-haters. The song is simply not his.

Why, then, does so much controversy revolve around Thompson?

Since the end of World War II, the Croatian nation was systematically stigmatized by the Serbian-dominated communist government of Yugoslavia. For 45 yrs., any hint of Croatian patriotism was extinguished by the state's apparatus, most commonly under the false indictment of “fascist“ or “Nazi“ separatism. To accompany the murder and imprisonment of Croatian patriots within Yugoslavia and around the world, negative propaganda about Croatians was disseminated by Belgrade's information services. This was purposely done with the objective of squashing any activism around the world. Within years, the Croatian nation became synonymous with that of the Nazis. Sadly, in many cases of western literature, the false accusation stuck.

With his songs, Thompson has for some reason warranted the ire of many anti-Croatian Greater-Serbian nationalists and their well-paid public-relation mouthpieces their lobbies employ. They have still not come to terms that they were on the losing side of a war of aggression that Milosevic’s Serbia committed against Slovenia, Croatia and Bosnia-Herzegovina. They have still not come to terms with the fact that Croatia is an independent country proud of its recent victory on the battle-field against criminal aggression. Croatia's enemies have since conducted a defamation campaign against all Croats, not just Thompson. It is their hope to stifle Croatia’s chance at entry into the European Union. Thompson is very popular among Croatians that are old enough to remember the war years in the early 1990s. And the band quickly became a natural target for Croatia's enemies. The defamation campaign is spear-headed by negative propaganda identical to the kind spread world-wide during communist Yugoslavia. Propaganda that basically equates the entire Croatian nation and its identity to Nazism. It appears that not even a simple musician can escape anti-Croatian bias. This type of propaganda war-fare should not be surprising to American eyes or ears. We ask all interested to try and understand the political/social landscape of once war-torn South Central Europe. Starting from that position, it will be much easier to understand today’s relations between peoples of the former Yugoslavia.

Thompson performed in Frankfurt, Germany on April 21, 2007

As you probably know by now, Thompson is very popular in Croatian emigrant communities around the world. He has sold out concerts in Australia, Canada and Germany. Just to name a few countries. Thompson played a packed Ballsporthalle in Frankfurt, Germany on April 21, 2007. We’d like to remind you that the concert was held in the heart of Germany. A nation with the most stringent of anti-bias and anti-hate laws that exist anywhere in the world. When German authorities translated Thompson’s lyrics, something we ask all of you to do, they soon learned what the band is really about. And the show went on as planned. We find it extremely hard to believe that Thompson’s most vocal critics are not aware of this. Once again, we remind you that Thompson performed a successful show in Frankfurt, Germany. The concert and the translation of lyrics made by German authorities were reported by major media-outlets in that country. As correctly and truthfully reported in the newspapers Allgemeine Zeitung and Frankfurter Allgemeine, Thompson’s lyrics neither promote, nor incite, violence.

There has never been a violent incident at a Thompson concert

Because of many false accusations and outright lies, we’d like to mention that there has never been an incident at any of Thompson’s many concerts. Whether in Frankfurt, Germany or Zagreb, Croatia-- Thompson‘s concerts, naturally, always conclude peacefully. Just another fact that proves the critics wrong.

Marko Perkovic is a musician

Marko Perkovic is a Croatian patriot that loves his country dearly. He is not a member of any political party in Croatia, nor does he have any affiliation to political or activist groups within or outside the country. Marko Perkovic Thompson is just a musician.

Just as we Americans love our country, Perkovic loves his. Just as Jewish-Americans love their heritage and Israel, Perkovic loves Croatia. And so do Croatian-Americans. So do Croatians world-wide. With his music, Perkovic simply sings of patriotism and love of the Croatian heritage. His songs inspire many Croats to live honest lives, cherish family, honor God and be faithful to the homeland. To Croatians in the United States, this translates into the respect of not only the Croatian heritage, but of respect to our American heritage; into respect for the great nation that in the past granted amnesty to Croatians that sought refuge and freedom from oppression. The incessant attacks against this very successful musician are simply baseless and unwarranted.

Frano Budimlic

New York
_________________
www.croradio.net
24 Hour Croatian Music Streaming
Bog i Hrvati !
Dok je srca bit ce i Kroacije
AGM
 
 
 
 
Nazi Death Camp 1941? no Serbian Death Camp1991 !
Serbian Extermination Camp 1941? no 1991 !? Jasenovac 1941? no Serbian Death Camp1991 !


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_________________
 
 

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Australian of Serbian descent Daniel Sneddon a.k.a Dragan Vasiljkovic (pictured above) holding a human skull, did he commit ethnic cleansing in Croatia? The Serbian Community of Australia is financing his defence, whilst it attacks Croatian musician Marko Perkovic whom sings of God, Family and Homeland. Is the Irony at it’s greatest???
_________________
 
THOMPSON'S LYRICS FULLY TRANSLATED TO ENGLISH
JUDGE FOR YOURSELVES WHETHER THESE ARE FASCIST SONGS


http://www.lijepanasadomovinahrvatska.com/text07/bilo_jednom_u_hrvatskoj.pdf

1
_________________
www.croradio.net
24 Hour Croatian Music Streaming
Bog i Hrvati !
Dok je srca bit ce i Kroacije
AGM